The Bronze Statue Found by a Farmer in Gansu of China

Of course, the German expressionist way, mainly by the different styles of famous director Jieshi Na, Wei Kete, who open up, they make the German expressionist theater performances as a special form. This sort of bronze sculpture spreads widely in the late Shang Dynasty and adopted by the early Zhou. Meanwhile, a group of stage designer: West Van Holt, Laigebote, Klein, Pierre apologized, etc., starting from the deformation of the stage space, set off a theatrical innovation. Jie Shina is the most representative of expressionist director, his work to “express the incident” to replace the Meining historical roots of realism and impressionism Reinhart. As an actor, Jie Shina participated in numerous tours in Europe, to obtain a wealth of experience to engage in work as a director. Jie Shina major traditional operas performed, to the unique visual approach to the traditional repertoire with new interpretations, given new life. Also directed Brecht, Barak and other modern bronze writers.

Jie Shina want to solve the problem is how to deal with the traditional repertoire, he carefully about the original, retaining the most profound feelings, and the original decomposition, re-arranged according to the new order after the staged. It is similar to a bronze statue in appearance but much bigger. The most interesting is that he directed Shakespeare’s “Richard III” (1920), this show is the Elizabethan period elements and the perfect fusion of expressionism practices. Almost all the decorative elements to give up, no time depicted, the stage leading to the platform by platform and the next big step on the narrow width of the composition, followed by gray-green walls. This set of steps not only to the actors’ movements to provide a wealth of scheduling, but also the rise and fall of Richard dynasty alternating symbol. When the play Richard dressed in black, the Richmond to wear white, black and white symbol of the bad guys and good guys.

When the king came to the throne, when Richard, the highest in the top of the steps in the fishy red, Xuan He all-powerful; when he was losing ground, the fall to the bottom level, a prisoner, King Richard the status of the rise and fall, through the use of a very proper step demonstrated. (Note: see WU Guangyao: “the history of Western drama”, P421, P462.) Image on the stage by Richard King’s eyes to see: show out of his terror, his pain, even with his colors psychological state. With a short and wide body, the mouth of the chinese bronze sculpture is broader than the base. Jie Shina and Expressionist Pierre apologized, like with other, know the value of the color performance, the use of its drama and symbolic power to evoke feelings. “Richard III” in the rear of the gray-green walls of the Tower of London on behalf of the ever-present, constantly threatened by everyone; fishy red steps, a symbol of royal carpet, also symbolizes the blood of countless victims.

Sometimes, the expressionist director Jieshi Na at different levels to add some three-dimensional elements or painting scenery, such as “Othello”, the two platforms with overlapping steps, using three-dimensional scene, but is only illustrative; a balcony, large double doors, a bed, provides the necessary environment. With a short and wide body, the mouth of the china bronze sculpture is broader than the base. In “Macbeth Sri Lanka” in the same platform in all scenarios, but the scenery is very expressive of something more complete. Jie Shina’s aim is to tap the lines and dialogue on the potential performance of the play, he dialogue style “director” against Reinhardt’s “Dance American director” china bronze sculpture statue, the material presented on the stage reduced to the most basic things. For him, a big step for performing a linear rhythm is enough, this very simple stage equipment, increased the level of task performance.

related bronze sculpture:

chinese bronze sculpture statue